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There is a limit to human conceptualizations of experience and empathy. The tools of measurement can only conjecture so far as to deduce the possibility of a type of experience and sensuous capacity within non-human, non-living objects. To further the conversation, Fauxtanical utilizes physiological data to allow an animation and soundscape to emerge through the creative kinship of human and non-human - and between real and faux.

In the process, cooccurring feedback loops inquire on the experience and interrelatedness of the entities involved.

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